Well, if you were my next door
neighbor and I had loads time, then perhaps I could. Since that
isn't the case, all I can do is tell you how it works for me.
First of all, you have to have a
burning desire to do it. Without that, you're doomed to failure
right off the bat. Drawing isn't something that can really be taught
unless you already have a God-given talent. I have been an artist in
various forms since I was a child and have always been moved to
create. Learning to draw graphics for the web, etc., is no
different. Some of us are born with an innate desire to be creative
and it stays with us our entire life. If your only motive is to
profit, I can almost guarantee you that your success will be
minimal. Creativity comes from the heart. It's not something that
can be faked, imitated or forced. There are days when I couldn't
draw a stick figure and it has to do with my mood more than
anything. I have to be in the mood, or inspired by something I've
seen. If I try to draw just because I think I should get something
new up on my site, I end up with second-rate results that are not
true to my skills.
As far as learning how to use a
graphics program, that's probably where that "burning desire" will
be most useful. Most computer programs baffle me and unless it's
something I really want to learn, or have to learn, I don't usually
bother. If you really want to learn your program of choice, be
prepared to tear your hair out, cry, get angry, frustrated, and
annoyed...BUT....don't ever....ever.....ever GIVE UP! The small
successes will put you over the moon and before you know it, you'll
know more than you ever thought you could learn. The last thing you
should remember is that art is subjective and beauty truly is in the
eye of the beholder. Do your own thing and you will find your own
following.
How did you learn to write HTML?
The short answer?
www.draac.com
I have recently switched to using Microsoft Front Page because it's
a real time saver for me. However, I recommend that everyone learn
the basics at least. It comes in very handy at times.
Do you need a special computer to
do graphics?
I've only been asked this once, but
it is kind of an important thing to consider when you are planning
to run graphics programs. I have a Sony VAIO with 1.3 gigs of RAM,
which stands for 'Random Access Memory', which is the memory a
computer needs to store the information it is processing at any
given moment. I also have a front side BUS speed of 512 MZ. BUS
speed is very important. It is the speed, measured in megahertz, at
which information or data can move across the bus on the
motherboard, or the speed or frequency at which the data on the
motherboard is moving. In terms of speed, if your BUS speed isn't
fast enough, it won't matter how much RAM you have, because your BUS
speed determines how fast commands are processed. This is the way I
understand it anyway. A 512 BUS speed should be sufficient for
running most graphics programs, as my experience tells me. 512 mb of
RAM should also be sufficient for most things. The only time I ever
experience very slow processing is when I'm working on very large
graphics for scrapbooking, however, I can still get the job done.
I also highly recommend a good CD
burner and an external hard drive. CD's can fail and computers can
crash, so I back up all of my work to a CD and also store a copy of
them on an external hard drive. If you have a crash or need to
reinstall windows just for clean-up purposes, you can unplug the
external hard drive and after you reinstall, just plug it back in
and everything is still there. It's very convenient and safe.
In terms of CD burning software, I
use Roxio's EZ-CD and DVD Creator 6 Platinum. My favorite for all CD
and DVD burning operations. It also has a recovery wizard that can
recover data from a damaged disk.
A good monitor is important too,
because you want to have a clear picture of what you're graphics are
going to look like. I have a 17" Sony flat panel which I absolutely
love! The resolution on a flat panel is far superior to that of
traditional monitors and since their creation, they have come down
to an affordable price. Some traditional monitor users have
complained about eye strain when they first get a flat panel. The
screen tends to look convexed at first, but you will get used to
that and it will go away. Once you get used to it, you'll never go
back.
Some artists use a pen and tablet to
draw their graphics, which is the digital equivalent to pencil and
paper. I bought one once, but just couldn't get used to it, so I
went back to my good ole mouse. I use a wireless, optical mouse and
it works great for me. That's pretty much personal preference, so
you may want to try both.
I have had three completely different
computers since my first one and I have kept this one the longest.
It works great for me, is very stable and I feel no need to change.
Could you make the green
background blue.....the blue background green, and redraw the girl
on the bike to match my eye and hair color?
This isn't exactly the question I've
been asked, but I think you get the gist of it. I don't mind making
minor alterations to my graphics, if it can be done quickly and
easily. However, I am not open to changing an entire set of graphics
to fit one person's wants. If I were going to do that, I might as
well just wait for people to ask me for custom graphics, which I am
not currently doing, due to lack of time. For the most part, my
graphics come AS IS and aren't meant to be changed in any
significant way. I don't mind adding text to something or moving
things around slightly, but that's the extent of it. It never hurts
to ask, but please don't take it personally if I decline.
Can I call you on the phone so we
can talk about graphics?
Honestly......I have had people I
don't know write me up cold and ask this question with no other
detail given. Number one, with all the crazy things that take place
in the world and on the Internet, I don't give my phone number out
to total strangers. Number two, I do my business online, so I feel
that anything we need to discuss can be done in e-mail. It's not
that I am antisocial or unfriendly, it's just that I am extremely
protective of my privacy. I have made exceptions to this rule when I
was doing web design, only because I did large, ongoing projects and
it was more convenient at times to speak by telephone. Other than
that, I find it pretty much unnecessary.
I don't have any money, so would
you consider donating your graphics to me or giving me a discount?
My close friends and long time
customers are very aware of my generosity where my graphics are
concerned. I have given a lot of things to people I know well for
free, and I have done special projects for causes and charities
without charging for it, but for the most part, I do not give my
work away to total strangers with a hard luck story. It's nothing
personal, but if I don't know you from Adam, how do I know if you
are telling me the truth? Don't take it personally, but that's just
good business sense.
Do you do custom work?
I have done custom work from time to
time, but in general, I don't take on custom projects other than a
few custom adoptions here and there. I am a wife and mother who runs
two businesses and it's purely a matter of time for me. I simply
don't have the time to devote to doing custom work. If this were my
primary source of income, I would certainly do customs, but the
money I make from this venture is pretty much just mad money for me
and is secondary to other things in my life. Whatever I do, I try to
give it a 110%, so the lack of time would surely prove problematic
for both myself and my customers.
Where do you get your inspiration
for the graphics you draw?
Oh boy, that's a question that could
take days to fully answer, but I'll try to condense it. Inspiration
can come from just about anything. I have been inspired to do an
entire collection based solely on a pleasing combination of colors
that I saw somewhere. I might see some soft pastels that remind me
of a spring day and it just flows from there. A good example would
be my Pettibone bears. My daughter was drawing some pictures one
night and she drew a bear that was the inspiration for my bears.
Hers looked nothing like mine, but it was the shape, angle, tilt of
the ears and a bit of my own imagination that came into play. As an
artist, I probably see things differently than most and I can find
inspiration just about anywhere.